Balma looking at the Oscillations
This month was a long one—mostly because it actually turned into two.
Over the past few months, I’ve been going deeper into neuroarts—looking at the biological mechanics of how visual art alters our state, and testing some of the idées reçues about why certain shapes, textures, and spaces make us feel the way we do. Now I’m coming back to you with something new (and, I hope) interesting that grew directly out of that reading. Please welcome a new recurring series: Le Lens.
